I think I should start here by naming the elephant in
the room: I’m very, very bad at thinking up titles for anything. No, really.
The original working title for Stormlock
was The Wizard Story—when I was
forced to give the testing facility a name, it sounded good enough to become
the title. There you go. A little bit of sad trivia for you.
Anyway, let’s move on (quickly) to a couple of book
reviews here. If anyone out there is thinking about making an English/Victorian
steampunk YA novel about mobile, somewhat corrupt cities, don’t bother. It has
been done at least twice, most likely many more times while I wasn’t paying
attention. Fortunately, both of the books I’m covering here were done by some
good authors, so this won’t be a disgruntled rant like last time. The two that I’d like to
bring up here are Worldshaker by
Richard Harland and Mortal Engines by
Philip Reeve, published 2009 and 2001 respectively.
If you need a good steampunk novel for the younger/middle
end of the young adult spectrum (valuable Christmas ideas here), I would
heartily recommend these two books for your consideration. Both are worth a
look: while they both cover moving cities with struggles between the upper and
lower classes, they have their own distinctions between them. I’d start with Worldshaker as it is a little bit of a
lighter read, but I’m not talking about length. It is a good introduction to
the area of Victorian values and class problems, it has action and intrigue, and
it necessitates the reading of its only sequel, Liberator. However, it does feel a little simple at times. The
interpersonal relationship situation can be complicated, that is certain, but
everything else feels somewhat straightforward, I hesitate to say predictable. And
Liberator does drop the ball a tad at
the end—its climax takes up the final third of the book, a slow burn rather
than a firework, but the end did give me the feeling of fulfillment I value in
many of my favorite books. In the end I applaud, applaud, applaud Harland for
his realistic and detailed tensions between the Worldshaker’s elite and the slave classes. People of today’s upper
and lower societal classes would benefit reading these books.
I also really enjoyed reading Reeve’s Mortal Engines this past month. Burned
through the first book in no time. The worldbuilding is like Worldshaker on steroids, broadening the
scope beyond the city-ships themselves. The characters are way more complex—on both sides, for both the “good” and
“evil” people that are encountered. There was a tangible threat of menace from
inside and outside, and the post-apocalyptic elements were creatively handled
(I appreciate that). Worldshaker is
more historical fiction, but Mortal
Engines is a well-done futuristic dystopia. The major criticism I have was
the way the book ended. The last chapter felt like a punch in the gut—nay, a
thirteen-round losing streak against a waist-high boxing champ. While the spark
of hope is kept alive, I would only read the next book in the hopes that it
would provide a pick-me-up, that those last page won’t be my final memory of
this series. And it looks like Reeve’s Predator
Cities goes on for at least three more books, so my fingers aren’t crossed.
But, as hard as the ending was, it was artfully done. I respect that too. So
yes, I recommend this one as well, but you should probably buy the whole
quartology in the hope that the main characters’ winds of fortune improve.
Using my own Dystopian Teen Novel Review Checklist, Worldshaker and Mortal Engines both
get about 10, which I consider to be a low enough score. Unless you count the “Stalkers”
in Mortal Engines as an incarnation of
zombies, in which case its number skyrockets (I feel there aren’t really enough
of them to merit this addition, though, so I ignore it).
Huh. All that took longer than I was thinking. I was
planning on using some time to talk about the season; Christmastime seems to be
one of those seasons especially set aside for writers. The weather keeps you
indoors with all kinds of comfortable clothes, blankets, and furniture, and the
early twilight enhances a sensation of mystery and expectation. But, again, I’m
running out of space as you run out of patience. As long as I’m on a roll here,
though, I’m going to make another recommendation: somehow, someway, if you do
not have it already, get the Vince Guaraldi Trio’s A Charlie Brown Christmas album. It will make great ambient music as
you stare into snowy darkness, trying to think of the next perfect sentence.
Unless you’re just killing time playing video games. Then I recommend Portal 2’s Workshop map “The Winter Testing Initiative”. You can’t go wrong with maddeningly difficult, Christmas-themed Portal test chambers.
Unless you’re just killing time playing video games. Then I recommend Portal 2’s Workshop map “The Winter Testing Initiative”. You can’t go wrong with maddeningly difficult, Christmas-themed Portal test chambers.
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