Saturday, July 16, 2016

Up to Chance

So about a week ago I was playing a board game with somebody. I had kind of invented the game—it was a combination of Nefarious and Monopoly. Well, not Monopoly exactly. It was Insanity-opoly, a make-your-own Monopoly set that I had gotten years ago. Where else can you buy properties like “The Galactic Empire”, “Secret Fortress”, “Australia”, and “Killer Mimes”? And yes, when combined with Nefarious, it gets even worse. The rules are complicated. Maybe I’ll post them someday.
Anyway, I had to take a moment after the game to read the Chance cards I had written so long ago (maybe five years?). In a make-your-own-monopoly set, there are two different card categories: Good News and Bad News. Pretty straightforward. And as I read them, it was clear to me that some mental instabilities never die. So first…

Bad News
·         Your turkey exploded. Pay $1500
·         Killer chipmunks! Pay $500
·         Pay $100 to each player. Oh, the humiliation.
·         Your apocalyptic weapon rolled into the sea. Pay $500
·         Your turn ran away. Go to “Lose a Turn.” Do not collect $2000.
·         Pay $500. Or $5,000,000. Whatever.
·         Unsubjugated trolls in neighborhood. Each property owner pays $100.*
·         You won! NOT!!! Pay $100
·         Pay $1000 because I said so.
·         You did it again. Pay $1500
·         The world blew up. Pay $100 for each property you own.
·         Pay $500 for no reason whatsoever.
(*Funny, two of the properties were “Army of Trolls” and “Lair of Trolls.”)
           
            Next, for the oddly fortunate…
            Good News
·         Your lunatic whims damaged nothing important. Collect $100 for each property you own.
·         Reap the spoils of war. Each player collects $100
·         You are not dead! Collect $500
·         Fork over the cash. Collect $1000
·         Nothing exploded. Collect $100
·         Nobody noticed. Collect $200
·         Stop robbing banks, you. Collect $1000
·         You did it again. Collect $500
·         Professional pickpocketing pays profusely. Collect $100
·         Your peasants are blissfully optimistic. Collect $500
·         Conquer the world. Collect $100 from each player.
·         Collect $100 for no reason whatsoever.

You see, ladies and gentlemen? This is how even my earliest attempts at creative writing make the world a better place. These cards took a relatively unexciting game like Monopoly and turned it into an unbearably interesting experience! Just imagine where these cards could come in handy in other games, from actual Monopoly to the Game of Life to poker! Or maybe real life—these could be the basis for a new tax code. Or a more civilized banking system. Or a household allowance protocol! These cards could—
*Ahem* I was just kidding about all that. You don’t need to call the authorities.

(But this one’s on the house.)

Friday, July 1, 2016

Story of a Writing Prompt

So it’s July. The temporal dimension is still functioning properly. In celebration, I will share one of my legendary group writing prompts. Best of all, I shall do so by packaging the idea in the cheap-newspaper-wrapping of one of my stories, which for some reason is mostly true.
I don’t believe I have it touted on this particular site, but during my previous college semester I was both English Club Secretary and Leader for the Creative Writers’ Group. My secretarial position is somewhat related to my creative leadership role—my English Club Meeting Notes, taken in their literal sense, sound like I am on the tail end of an acid trip (I recorded EVERY MINUTE, whether or not it was only happening inside my head). Thanks to these unhelpful record logs alongside my other disjointed written hallucinations, I was a cinch to get strait-jacketed into commanding the campus’s creative characters.
We were an intriguing bunch, meeting bi-monthly (most of the time) to talk about good books, to write things, and to dream up creative ways of killing people in our writings. Since I ruled these psychopaths with an iron rod—erm, guided these artists to their utmost potential, I was the one who came up with the creative writing prompts. One time I had everyone write down a foolproof way of catching the Roadrunner, then hand their paper to the left so the person next to them could tell them why it wouldn’t work. Mine involved birdseed, gunpowder, and a magnifying lens. I still think it could’ve worked, but the person who suggested “Call Batman” made a more compelling case. Later in the year, I had another prompt. I felt so evil.

When the day arrived, I had managed to convince my roommate to join us. He shall henceforth be referred to as Mycroft, since 1) he did look quite a bit like the BBC Sherlock version of the character (If you’re reading this, YOU DO!), only with more hair, and 2) the conversations we had were not exactly “normal.” One popular dorm topic covered methods and difficulties of being a moral Christian fascist dictator, an area in which we made great strides and he’d promised me an advisory role in his future empire.
He also has a dark sense of humor. I practically herded him to the meeting with a bulldozer.
7:15 pm, a campus lounge, the arranged meeting time and place for our writers’ group. Everyone had to wait until 7:20 for me to show up (so embarrassing). Then, eating my snacks that Mycroft got from our dorm room, we all had to wait another ten minutes for a few more people to show up. That’s a little of my secretary note-taking right there—just be happy I didn’t include my second-by-second thoughts in there (mostly mwa ha ha haaa). Anyway, soon our group consisted of nine people including myself, a good size for this prompt. I recommend five at least. After cracking an unnerving grin along with my unnervingly double-jointed knuckles, I laid out the first step:
1)      Everybody had to write down an item. Immediately I needed to make some clarifications: as for size, the item had to be able to fit into the lounge (I was flexible here—a freight train could conceivably have gotten “in” there, but it would’ve been messy). As for the item’s existence, I was extra flexible. The item could be anything between ordinary lounge décor and Tim Burton’s imagination. There was much excited writing, lasting about a half-minute.
2)      I had everybody tell me what their item was, advising them to pay attention and write down their own lists to keep track. It was…well, here is the list: a large turnip, a flying monkey, a check for $200,000, Abe Lincoln’s top hat, a football named Gilbert, a broadsword, an elephant gun, and a pot of tea. My personal contribution was a flatscreen TV. You can understand my combination of glee and fear, then, as I moved into phase three…
3)      I broke the bad news. Sadly, Mycroft had been murdered. The declaration drew surprised looks even from the lately deceased. The writers’ job was to solve his murder (except for Mycroft himself—I let him solve my murder). The circumstances of the crime were thus: for each individual, the item they’d written down was the murder weapon (lucky broadsword/elephant gun people, not so much $200,000 check person). Each writer then had to pick three other items from the whole list that would be somehow involved in the heinous deed. They had a minute or two to mull over the crime, then five minutes (or ten, I forget) to write down their speculations.
That was it. The scribbling was furious and quite forceful, a little disturbing for people writing about my roommate’s demise. Finally, our deductions completed, we shared our sleuthings to the group one by one. I would love to relate to you my crime scene, but I think I wrote it down in a different notebook and—let’s face it—this story is taking too long. I do recall that my scenario involved a chain-reaction trap with an elephant-gun-wielding flying monkey shooting a flatscreen off the wall, using a pot of tea as bait. It was beautiful. I would like to take this moment to clarify that everybody in the group did like poor Mycroft. That’s why we went to such trouble to make his death as memorable as possible (especially elephant-gun girl, who led off with the vaporization of Mycroft’s torso). Mycroft was sure to return the favor as he composed my murder. I’m pretty sure Abe Lincoln’s hat was involved (of course), but I do know I’ve never played football since.
Oh! Wait! I just remembered—unlike The Mysterious Benedict Society, there IS a fourth step: the competition.
4)      While we were writing, I became curious about the statistics of the project. Therefore, at the end, I made sure that I tallied up how many times each “weapon” was used in all of the crimes, including as primary murder weapon. That way we could find out which weapon was the Macguffin of choice for our bloodthirsty group. The results were surprising, as this list hopefully shows:
·         Broadsword: 2 uses (too obvious?)
·         Elephant Gun: 3 uses (again…)
·         Flatscreen TV: 3 uses
·         $200,000 Check: 4 uses
·         Flying Monkey: 4 uses
·         The Football “Gilbert”: 4 uses
·         Large Turnip: 4 uses (oddly enough)
·         Abe Lincoln’s Top Hat: 5 uses
·         Pot of Tea: 7 uses!
There you have it. Possibly the most popular symbol for writers in general was also the deadliest item of the evening. After some conversation (and a few apologies to Mycroft), we all went our separate ways. Net result of that exercise: someone stole my snacks, and Mycroft has a fear of teapots that lasts unto this day. Poor guy’s also a tea drinker.
(By the way, four thousand people are injured by teapots every year. Ten times that number get injured by toilets, but still…)


I hope you’ve all (or both, or one) of you have found this story interesting. Maybe you’ve even found a fresh way to torment your own writing circle. If so…great! Maybe later I’ll write about another prompt of mine, one I call simply “Mad Scientist with Amnesia.” Let’s see what you were up to with that sunscreen toothpaste and sentient carpet.

Wednesday, June 15, 2016

On Hats: An Essay

            The following is a piece that I submitted to my college’s student-run magazine. Then, for some reason, they accepted it. This is basically a not-so-brief explanation for the whole hat thing.

On Hats

By Benjamin Sonnek
Anyone who occupied my presence for more than five minutes may note that I like to wear hats. I do, I confess. I do quite a bit. But these presence-occupiers can occupy my said presence for five, ten, even fifteen minutes (if the butter knife they’re using to saw through their restraining ropes is dull) without asking me the Question: What’s up with the hat? Translated: Do you use that accessory for any other reason than to take up the vacant space around your cranium? That unasked Question, therefore, has remained unanswered throughout my lifetime hat-wearing sojourn. I intend to answer it today—to spare you the agony of sitting through this multi-pointed explanation in person (if that butter knife is too slow on the ropes, you might go for the wrists, and I don’t need death on my conscience). So, first reason:
            It keeps stuff out of my eyes. Allow me to start with the practical side of a hat. If anyone sits within a ten-foot radius of an eyewear-selling optometrist, no doubt you will hear the countless negative effects that nature has on your eyes. The sun is a vicious killer, not only of your retinas but also of your skin. Rain in the face is simply annoying. And I’m certain someone in Sodom (or maybe Gomorrah) was at some point complaining about either fire or brimstone nailing him in the face. Things falling from the sky are clearly an issue, and the hatmaker gives everyone a head-mounted shield in the event of such catastrophes. Sun? Your face shall remain unscorched and your eyes unmelted. Rain? Not in the eyeballs, it’s not. Wrath of the Almighty? At least you won’t get it in the face. However, I must add that your nose may be in the lurch. I definitely have a schnozz. The spurned sun, in a fit of burning cruelty, typically goes after my nose in lieu of my whole face, and my hat is powerless to help (unless I look down or go inside or something). So, unless I get a mask, lose the nose, or add three inches to my hat brim, I’m not wholly protected. But who cares, because…
            It looks awesome. Hats look awesome. Let us skip the philosophical proofs and just agree that as a rule. Indiana Jones has a hat. Captain Jack Sparrow—hat guy, and all pirate leaders seem to be wearing hats as a matter of office. Carmen Sandiego—probably stole that hat, but still wears it, and it works on her. Cad Bane—yes, the reference is nerdy, but the hat is still excellent. The list rambles on and on and on. But you’ll notice, not only are the hats awesome, but they confer some of that awesomeness to the bearers beneath them. Without hats, Miss Sandiego is merely some petty thief and Dr. Jones is just a middle-aged schmuck on a treasure hunt. A hat is right up there with the cape in terms of the amplification of the theatric. But before I continue, I must clarify: good hats amp up the awesome. That effect never comes about from a baseball cap. Ugh. Sorry, dedicated cap-wearing peoples, but when you wear a baseball cap even the right way around I have a hard time taking you seriously. Kids can pull it off. Baseball players are toeing the line. The rest of you suffer instant schmuckification in my eyes by branding your foreheads with a duck bill and a sports symbol. Again, this is only in the best-case scenario when you are wearing it the correct way ‘round. (Editor’s note: Try not to worry about it. If something annoys him, that’s probably a good sign for you.) But if you get a good hat…
            It enhances the ego. Glowering from under a hat brim. Throwing your hat in the air in celebration, or stomping on it in reverse celebration. Adjusting your hat before charging out the doorway on a mission of (*snort*) great importance. Mexico even has a dance that is sombrero-centric. Yes, a hat can amplify all sorts of emotion, which is a good thing for me—my normal emotional state reduces me to but a nutrient-consuming security camera.
            It distracts from my face. I gave up on my face years ago. At some point I had to accept that the giant potato in the mirror wasn’t going to get any better, and odds are it will be all downhill until I end up a cross between a toucan and Jeremy Clarkson. But hats, while they cannot fix anything below the hairline and above my neck, can at least provide a remedy. Reread the “hats are awesome” claim one more time, and you should better understand what I mean. People are blinded by the majesty of the hat while completely forgetting the face beneath it. Be careful, though, or the effect could become so powerful that your presence will be completely absorbed and the only sign of your existence will be a fedora floating around the campus. It’s a remarkable sight, but it gets old quickly.
            It is circular. And here, obviously, I rule out hateful baseball caps. The circle has been an important symbol from the ancient era, whether it be the blueprint of the wheel or a representation of God or a visualization of the infinite or the typical shape of a pizza. A round hat draws the mind to the infinite, like the wearer’s infinite quest for perfection or the perpetual nature of the soul or its never-ending desire for pizza. It’s a miniature meditation on the protective omnipotence of God—the hat is slightly out of my peripheral vision yet can be felt by its effects. A tricorn hat with its Trinitarian shape can claim this idea as well, but the turning of the centuries have subtly ushered that fashion out of fashion. For shame. At least we have pizza to console us. It can also be triangular, I believe.
It helps me receive the signals from my alien crime bosses. This again relates to the hat’s circular shape. My ordinary, round, thick-skulled skull can only get garbled static from space, much like the interference you get when there’s a thunderstorm and your favorite TV show is about to come on. When I wear a hat, though, the radius of the broadcast receiver antenna is increased significantly and therefore I get a better signal. It’s not yet perfect, mind you. I can’t tell if the extraterrestrials want me to move three feet to the left or conquer Austria, but until Windows sends out a useful software update I suppose they’re not getting any better. Oh well—I can receive just enough of their instructions so that I know exactly how to ignore them. With any luck they’ll give up and use the extra transmitting power to continue melting brains via earth’s native television technology.
That is only a taste of the reasons I wear a hat, my dear clearly captive or very bored reader. When my ten-volume work of hat-related benefits comes into your local Barnes & Noble, I’ll expect you to further your knowledge of the subject so you too will be convinced to find such a hat for yourself. Or at least you will remember to dive out a window if you see me coming. I’m the one with the hat.

Tuesday, May 31, 2016

Bring In The Noise

Oh, hello. Welcome to my first “official” post on this website.
I thought I’d talk about something I consider nearly integral to my writing process:

GOOD MUSIC

I’m pretty sure that the majority of writers have acoustic preferences when trying to write, and I am no different in that respect. In this post, I am covering some of I music that I find helpful when I’m desperately trying to summon another sentence through sheer willpower (heaven knows it can’t be skill). There are a few points I would like to bring up before I begin here, though.

1) This following post of music-related advice is what helps for ME—that is, a young adult science fiction writer. I have little-to-no idea if this will be helpful to you as there exists a broad spectrum of music that must correspond to each genre. 16th-century-drama people may prefer Beethoven, for instance, and modern romance novelette writers could work with just percolating hormones (for all I know). If you can write while listening to loud heavy metal, I envy your concentration. In any case, this is what I, personally, a mostly-sci-fi writer, prefer to have echoing in my skull next to the sentence fragments. Gonna keep reading? Very well. Just promise me you’ll do something constructive when you’re done here.

2) I will be writing about each of my musical preferences whilst under the influence of the very music about which I’m writing. If you look carefully at each of the sections, then, you may find signs of which albums to avoid. You’re welcome.

3) All of my recommendations are music without words. I have a hard time keeping my thoughts and the song lyrics separate, so it is just easier to listen to instrumentals.

4) I thought there was going to be a fourth point, but then there wasn’t. I guess the moral here is to more effectively plan out your writing.

#

Is all that clear? Didn’t think so. Anyway, here is the first album I favor while I’m typing something:

SILENCE

No, this isn’t an album. If you can find it on iTunes, you’re being ripped off. If I’m really trying to concentrate on what I’m doing or if I’m having a slow day, sometimes it helps to be in complete silence. But, especially if I’ve caught the elusive Writing Bug and I’m on a roll, I will listen to music. Here’s one choice…

PORTAL STORIES: MEL SOUNDTRACK

Track 1: Interfacing
This is my top recommendation for ambient music while writing science fiction. Portal Stories: Mel is a fan-made spinoff of the popular Portal video game franchise, and it’s the best spinoff of, well…anything I’ve seen. Don’t get me started on the game itself, or we’ll be here all day (I do wholeheartedly include Portal Stories: Mel in the Portal canon). The soundtrack, which I was able to isolate from the game files and copy into an iTunes album, is great background music for the sci-fi world you’re fleshing out. And, since the music was meant to be playing while you’re trying to solve (abnormally difficult!) Portal-style puzzles, it is ideal music for thinking and plotting your next move. It’s certainly been a favorite of mine as I revise my books. Get the soundtrack if you can—but only get the game itself if you’re a die-hard Portal fan. It may be free, but the gameplayers’ #1 complaint was that Portal Stories: Mel was way too hard (It took a while, but I solved all the puzzles completely on my own—before they released the wimpier story version). Okay, back to the music. Next…

PIRATES OF THE CARIBBEAN SOUNDTRACKS

It doesn’t sound very science-fiction-esque, but trust me, the soundtracks from the four (so far) Pirates movies are serious imagination fuel. I have a hard time choosing between all four of them, but if you put a gun to my head for some weird reason and commanded me to choose, I’d pick the score from the first movie. That happens to be the album I’m listening to right now (“The Medallion Calls” currently playing here). The first Pirates will always be the best, but I will grudgingly support a fifth movie if they keep up the orchestra. The guitar stuff in #3 was pushing it, though.

THE CHRONICLES OF NARNIA SOUNDTRACKS

Again with the gun? Fine! If I have to choose a favorite, The Lion, the Witch, and the Wardrobe is my favorite album of the three. It also isn’t terribly sci-fi, but it’s still imagination nitro. I’d strongly recommend it to fantasy writers as well.

PRETTY MUCH ANYTHING BY GEORGE WINSTON

I’m a (lazy) pianist, and if I had to choose a role model aside from my long-suffering former piano teacher, I would idolize George Winston. There is so much to choose from: Linus and Lucy, Autumn, Forest…it’s not a score for your battle scene, but DEAR HEAVEN it’s some good piano. I currently have “Japanese Music Box” from the Forest album on repeat—it’s peaceful yet slightly sinister (in my imagination).

GREGORIAN CHANT

Not kidding. I do actually find it helpful when I’m writing nearly anything, from a descriptive scene of a short story to a college book report. Also, as a Catholic, I can understand a fraction of the Latin. So if musically praying monks don’t give you the heebie-jeebies, give it a try. I have the Assumption album by the Benedictine Monks of Fontgombault Abbey, and it’s quite nice.

MANY OTHER THINGS


You and I both don’t have the time to go through the mishmash of other writing music I have (including I, Robot; some Star Wars, of course; Sherlock Holmes; Sherlock; Marvel’s soundtracks, especially Ironman…), but I hope this has been a slightly helpful look into the musical echoings that often result in a story. And now, since I’m done writing here, time to tune in to Def Leppard. See ya.

Thursday, May 19, 2016

Ignition!

(Hello?...Is this on?...)
Good morning readers!
My name in Benjamin Sonnek, a new science fiction writer, and I would like to welcome you to my even newer website! There are many things for you to see and do here, including the following pages:


- Home

You're here already! This is where the posts go--updates and my own writing-themed musings.

- About The Author

Want to to know a ton of mostly useless information about me? I have a page for that!

- Published Works

Yes, I have published some stuff already. This is a list of my accomplishments thus far.

- Lab Rules

I also do some minor cartooning on the side. If you thought this whole experience couldn't get any weirder, think again!

- Project Stormlock

This is my personal YA novel project. Want to know about it? Take a look. You may be surprised...

-Contact

While I may (or may not) exist in a completely separate dimension, I can still receive communications. Show your support!

Once again, welcome to this inexplicable realm of cyberspace, and we hope you enjoy your stay!